Some 'Verflucht' chatting--
6/10/10 23:49You know when you came with a random character, just to fill in a pair of panels or so, and you end up falling in love with it?

I mean, Gustav is probably nothing special, the typical "foxy" character with a perverted side, but I like him so much ;3; !!! I decided that I'll add him in more scenes and make him a more relevant character ^o^
Gustav is the son of a German banker, probably the kind of person that Rainer hates the most, but he can be considered a "good friend" of Luitger, if just for their shared "interests"...
While plotting and drawing I noticed that some characters are turning out kinda different from what I originally planned :/ The most different is probably Alexis-- He was supposed to be a slutty bastard, but in my mind the relationship with Rainer got kinda stronger, and I came up with a cool plot device to explain Alexis attraction to Rainer, which becomes his charm, in their young days-- AAAAH, I WANNA DRAW THAT!!!
Now I'm really in a plot frenzy, it's a pity that the feedback on Verflucht is practically non-existent (but I guess that's what you get when you decide to draw a shota Nazi story), 'cause I like its concept and characters very much-- Ok, the story still has to actually start, but it's still a pity that it's so neglected by the audience ;_; It's a big battle between inspiration and demotivation, you know...

Gustav is the son of a German banker, probably the kind of person that Rainer hates the most, but he can be considered a "good friend" of Luitger, if just for their shared "interests"...
While plotting and drawing I noticed that some characters are turning out kinda different from what I originally planned :/ The most different is probably Alexis-- He was supposed to be a slutty bastard, but in my mind the relationship with Rainer got kinda stronger, and I came up with a cool plot device to explain Alexis attraction to Rainer, which becomes his charm, in their young days-- AAAAH, I WANNA DRAW THAT!!!
Now I'm really in a plot frenzy, it's a pity that the feedback on Verflucht is practically non-existent (but I guess that's what you get when you decide to draw a shota Nazi story), 'cause I like its concept and characters very much-- Ok, the story still has to actually start, but it's still a pity that it's so neglected by the audience ;_; It's a big battle between inspiration and demotivation, you know...